June saw us tackle multiple exposure, involving the overlaying of two or more different captures in one image. The images are typically less than full opacity, so that bits of all images can be seen and contribute to the overall effect, often producing an almost ghost-like image. This could be done in-camera or in post-processing. This technique quite distinct from a typical composite image where components from various images are seamlessly combined into one. The final effect sought after was one that clearly demonstrate that multiple images were part of the final result.
